nicola beller carbone
soprano / stage director
Nicola Beller Carbone is distinguished by a particularly artistic profile, assigning equal importance to acting and music. Her experience as a dancer, instrumentalist, and actress enriches her portrayal of operatic roles, rendering her one of the most authentic performers on the current stage.
It is precisely this extensive training that has allowed her to venture into stage directing, where she recently made her debut with the work Domitila by João Guilherme Ripper, in collaboration with the Fundación March and the Teatro de la Zarzuela, receiving an excellent reception from both critics and audiences.
Born in Germany and raised in Spain, she studied Drama and later Singing at the High School of Singing in Madrid. She is a member of the opera studio at Bavarian State Opera, and the ensembles of the Gärtnerplatztheater in Munich and National Theatre Mannheim.
Since the beginning of her career as a soloist, her affinity with 20th-century repertoire has been evident. Among other titles, she interprets roles in Wozzeck, Lady Macbeth of Mzensk, Mahagonny, Die tote Stadt, Der König Kandaules, Der Zwerg, Elektra... at theaters in Berlin, Munich, Paris, Monte Carlo, Buenos Aires, Montreal, and Toronto, among other major cities. Besides Salome, which she sings in fourteen different productions, her roles in Strauss's operas include Diemut, Elektra, Ariadne, the Marschallin, and the Färberin; and in Wagner's works, Gutrune (Götterdämmerung), Sieglinde (Die Walküre), and Kundry (Parsifal).
Nowadays Beller Carbone is considered a specialist in the complex repertoire of the Second Viennese School, as well as in contemporary works. She excels in rarely performed operas such as Zimmermann's Die Soldaten, Rihm's Die Hamletmaschine, Krenek's Karl V and Der Diktator, Schoenberg's Erwartung, and Ullmann's Der Kaiser von Atlantis. She also took part in the world premiere of Haas’s opera Bluthaus at the Bayerische Staatsoper in Munich, and of Otages by Sebastian Rivas at the Opéra de Lyon. Further appearances include The Silver Lake by Weill at the Opéra de Nancy, and more recently, back in Lyon, in Giorgio Battistelli’s 7 minuti.
She made her debut in Spain with Pepita Jiménez at the Teatros del Canal in Madrid, followed by performances in La Gran Duquesa de Gerolstein, La Villana, El Gato Montés, and El caballero de Olmedo at the Teatro de la Zarzuela in Madrid. Additionally, she participated in seasons at the Teatro Real (Ginastera's Bomarzo and the world premiere of Germán Alonso's opera Marie), Teatro Arriaga (Die sieben Todsünden), as well as performances in Córdoba, Seville, and Bilbao (La voix humaine).
She collaborates with conductors such as Yannick Nézet-Séguin, Kirill Petrenko, Pinchas Steinberg, Asher Fisch, Daniele Callegari, Gianandrea Noseda, Gabriele Ferro, Oleg Caetani, Stefan Soltesz... and stage directors including Robert Carsen, Nicolas Brieger, Moshe Leiser & Patrice Caurier, Giancarlo del Monaco, Calixto Bieito, among others.
In the realm of concerts, she collaborates with ensembles such as the Berlin Philharmonic Orchestra, Bamberg Symphony Orchestra, and the BBC Philharmonic Orchestra of Manchester, among others.
Nicola Beller Carbone will soon make her debut at the Palacio de Bellas Artes in Mexico City in Un re in ascolto and she will stage-direct the zarzuela Bohemios as part of the Proyecto Zarza at the Teatro de la Zarzuela in Madrid.
Website Nicola Beller Carbone
It is precisely this extensive training that has allowed her to venture into stage directing, where she recently made her debut with the work Domitila by João Guilherme Ripper, in collaboration with the Fundación March and the Teatro de la Zarzuela, receiving an excellent reception from both critics and audiences.
Born in Germany and raised in Spain, she studied Drama and later Singing at the High School of Singing in Madrid. She is a member of the opera studio at Bavarian State Opera, and the ensembles of the Gärtnerplatztheater in Munich and National Theatre Mannheim.
Since the beginning of her career as a soloist, her affinity with 20th-century repertoire has been evident. Among other titles, she interprets roles in Wozzeck, Lady Macbeth of Mzensk, Mahagonny, Die tote Stadt, Der König Kandaules, Der Zwerg, Elektra... at theaters in Berlin, Munich, Paris, Monte Carlo, Buenos Aires, Montreal, and Toronto, among other major cities. Besides Salome, which she sings in fourteen different productions, her roles in Strauss's operas include Diemut, Elektra, Ariadne, the Marschallin, and the Färberin; and in Wagner's works, Gutrune (Götterdämmerung), Sieglinde (Die Walküre), and Kundry (Parsifal).
Nowadays Beller Carbone is considered a specialist in the complex repertoire of the Second Viennese School, as well as in contemporary works. She excels in rarely performed operas such as Zimmermann's Die Soldaten, Rihm's Die Hamletmaschine, Krenek's Karl V and Der Diktator, Schoenberg's Erwartung, and Ullmann's Der Kaiser von Atlantis. She also took part in the world premiere of Haas’s opera Bluthaus at the Bayerische Staatsoper in Munich, and of Otages by Sebastian Rivas at the Opéra de Lyon. Further appearances include The Silver Lake by Weill at the Opéra de Nancy, and more recently, back in Lyon, in Giorgio Battistelli’s 7 minuti.
She made her debut in Spain with Pepita Jiménez at the Teatros del Canal in Madrid, followed by performances in La Gran Duquesa de Gerolstein, La Villana, El Gato Montés, and El caballero de Olmedo at the Teatro de la Zarzuela in Madrid. Additionally, she participated in seasons at the Teatro Real (Ginastera's Bomarzo and the world premiere of Germán Alonso's opera Marie), Teatro Arriaga (Die sieben Todsünden), as well as performances in Córdoba, Seville, and Bilbao (La voix humaine).
She collaborates with conductors such as Yannick Nézet-Séguin, Kirill Petrenko, Pinchas Steinberg, Asher Fisch, Daniele Callegari, Gianandrea Noseda, Gabriele Ferro, Oleg Caetani, Stefan Soltesz... and stage directors including Robert Carsen, Nicolas Brieger, Moshe Leiser & Patrice Caurier, Giancarlo del Monaco, Calixto Bieito, among others.
In the realm of concerts, she collaborates with ensembles such as the Berlin Philharmonic Orchestra, Bamberg Symphony Orchestra, and the BBC Philharmonic Orchestra of Manchester, among others.
Nicola Beller Carbone will soon make her debut at the Palacio de Bellas Artes in Mexico City in Un re in ascolto and she will stage-direct the zarzuela Bohemios as part of the Proyecto Zarza at the Teatro de la Zarzuela in Madrid.
Website Nicola Beller Carbone
videos
|
|
|
|