emmanuel faraldo
tenor
The young Italo-Argentinian tenor Emmanuel Faraldo starts a promising career in Europe, focused especially in Spain, where he fixs his residence. He studies singing at the National Art University of Buenos Aires and completes his training at the Higher Institute of Art of Teatro Colón. In 2014 he receives a scholarship from the Albéniz Foundation to improve his skills at the Reina Sofía School of Music in Madrid, under the supervision of tenor Ryland Davies.
In 2015/2016 and being member of the opera studio of Palau de les Arts in Valencia, under the tutoring of the tenor Gregory Kunde, he participates in the operas Idomeneo (Arbace), as well as in La Bohème and Samson et Dalila, all of them in the own season of Valencian theater, directed by Davide Livermore and Carlus Padrissa (La Fura dels Baus) on stage and musically by conductors like Roberto Abbado and Fabio Biondi.
In 2017 he performs the role of Ernesto (Don Pasquale) and Remendado (Carmen) in the Opera of Tenerife and Bastien und Bastienne with the Chamber Opera of Navarra. To highlight his debut at the Rossinian Festival of Pesaro, in the role of Libenskof in Il viaggio a Reims, with stage direction of Emilio Sagi.
The same year he debuts at Teatro de la Zarzuela in Madrid with the leading role of El cantor de México, a role he repeats in the zarzuela season of Oviedo, and also debuts at National Opera of Lithuania in Idomeneo, once playing Idamante, with stage direction of Graham Vick. He also has the opportunity to participate in Don Pasquale production at La Scala in Milan as a cover of Ernesto's role.
In his later career, his debut at Gran Teatre del Liceu in I Puritani, his participation in the recital of Mariella Devia and in the productions Capriccio and La Traviata at the Teatro Real in Madrid, and his return to the National Opera of Lithuania repeating in the role of Idamante de Idomeneo stand out.
His repertoire of oratorio includes Messiah by Haendel (Symphony Orchestra of Asturias), Requiem by Mozart (Orchestra of Aragon in a tour for Spain and France), Messa di Gloria by Puccini at the Auditorio Nacional in Madrid and Stabat Mater of Rossini (Philharmonic Orchestra of Malaga).
Recent engagements are his debut at Gran Teatre del Liceu in I Puritani and a concert with Mariela Devia, and the productions of Capriccio, with stage direction of Christof Loy, and La Traviata at Teatro Real in Madrid.
His latest commitments include his recent return to Liceu in Barcelona to play the role of Arturo in Lucia di Lammermoor, as well as to Teatro Colón in Buenos Aires with Mozart's opera La finta giardiniera.
His immediate future takes him back to Teatro Real to take part in Philip Glass' production of Orphée and to Teatro Calderón in Valladolid, where he will play the role of Remendado in Carmen.
In 2015/2016 and being member of the opera studio of Palau de les Arts in Valencia, under the tutoring of the tenor Gregory Kunde, he participates in the operas Idomeneo (Arbace), as well as in La Bohème and Samson et Dalila, all of them in the own season of Valencian theater, directed by Davide Livermore and Carlus Padrissa (La Fura dels Baus) on stage and musically by conductors like Roberto Abbado and Fabio Biondi.
In 2017 he performs the role of Ernesto (Don Pasquale) and Remendado (Carmen) in the Opera of Tenerife and Bastien und Bastienne with the Chamber Opera of Navarra. To highlight his debut at the Rossinian Festival of Pesaro, in the role of Libenskof in Il viaggio a Reims, with stage direction of Emilio Sagi.
The same year he debuts at Teatro de la Zarzuela in Madrid with the leading role of El cantor de México, a role he repeats in the zarzuela season of Oviedo, and also debuts at National Opera of Lithuania in Idomeneo, once playing Idamante, with stage direction of Graham Vick. He also has the opportunity to participate in Don Pasquale production at La Scala in Milan as a cover of Ernesto's role.
In his later career, his debut at Gran Teatre del Liceu in I Puritani, his participation in the recital of Mariella Devia and in the productions Capriccio and La Traviata at the Teatro Real in Madrid, and his return to the National Opera of Lithuania repeating in the role of Idamante de Idomeneo stand out.
His repertoire of oratorio includes Messiah by Haendel (Symphony Orchestra of Asturias), Requiem by Mozart (Orchestra of Aragon in a tour for Spain and France), Messa di Gloria by Puccini at the Auditorio Nacional in Madrid and Stabat Mater of Rossini (Philharmonic Orchestra of Malaga).
Recent engagements are his debut at Gran Teatre del Liceu in I Puritani and a concert with Mariela Devia, and the productions of Capriccio, with stage direction of Christof Loy, and La Traviata at Teatro Real in Madrid.
His latest commitments include his recent return to Liceu in Barcelona to play the role of Arturo in Lucia di Lammermoor, as well as to Teatro Colón in Buenos Aires with Mozart's opera La finta giardiniera.
His immediate future takes him back to Teatro Real to take part in Philip Glass' production of Orphée and to Teatro Calderón in Valladolid, where he will play the role of Remendado in Carmen.
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