MIREIA PINTÓ mezzo-soprano
Born in Manresa (Barcelona, Spain), Mireia Pintó is rewarded with the most important prizes in several competitions in Spain and in Italy.
Her extensive repertoire includes the genres of opera, oratorio and lied. She performs as soloist with several instrumental chamber ensembles and several orchestras, with well-known conductors as Maazel, Maag, Bonynge, Rilling, Goodwin, Ericson, Zedda, Malgoire, Dantone, Armiliato, Frizza, Benini, Haider, Mariotti, Decker, De Billy, Fujioka, Weigle, Traub, Anissimov, Noseda, Guidarini, Allemandi, Tolomelli, Kantorow, Pons, V. Pablo Pérez, Villaume and many others.
She takes part in several concert cycles, music festivals and opera performances in Italy, Russia, Holland, Germany, Greece, Andorra, France, Monaco, Japan, Czech Republic and Spain, including outstanding performances in the main concert halls and opera theatres.
In opera she performs Giulio Cesare (Sesto), La Cenerentola (Cenerentola), Il barbiere di Siviglia (Rosina), L'italiana in Algeri (Isabella), Il turco in Italia (Zaida), Il viaggio a Reims, Così fan tutte, II re pastore, Die Zauberflöte, La serva padrona, La sonnambula, I puritani, Norma, Sly by Wolf-Ferrari, Lucia di Lammermoor, Andrea Chénier, Carmen, Les contes d'Hoffmann (Nicklausse), Roméo et Juliette (Stéphano), Béatrice et Bénédict, Les Huguenots, Manon, L'enfant et les sortilèges, Eugene Oneguin, Otello, Parsifal, Die Walküre, Ariadne auf Naxos, Elektra, Salomé, Babel 46 by Montsalvatge, Kátia Kabanová, La vida breve by Falla and Iphigenia en Tracia by Nebra, among others.
In the same way, she sings as soloist the plays Weihnachts, Oratorium, Johannes Passion, Mass B minor and Cantatas by Bach; Juditha Triumphans, Gloria, Moteten, Cantatas and Magnificat by Vivaldi; Stabat Mater by Pergolesi; Stabat Mater by Boccherini; Cantatas and The Messiah by Händel; Kantaten by Telemann; Jugendmesse, Cäcilienmesse, Scena di Berenice and Arianna a Naxos by Haydn; Requiem, Coronation Mass and Concert arias by Mozart; 9th Symphony by Beethoven; Petite messe solennelle, Stabat Mater and Giovanna d'Arco by Rossini; Summernight's dream, 2nd Symphony and Die erste Walpurgisnacht by Mendelssohn; Requiem by Bruckner; Requiem by Verdi; Te Deum by Kodály; La démoiselle élue by Debussy; Les Noces by Stravinsky; Stabat Mater by Murani (World Première); Die junge Magd by Hindemith…
His recent appearances on Spanish stages include her interpretation of the role of Mochila in Iphigenia en Tracia by Nebra at Teatro de la Zarzuela; Bersi in Andrea Chénier at Peralada Festival, Bilbao, Oviedo and more recently, at Teatro de la Maestranza in Seville; and Emilia in Otello, again in Peralada and Oviedo, Las Palmas, Seville and Valladolid. Her participation in the production Roméo et Juliette and La Partenope de Vinci, both in Valladolid, and in Kátia Kabanová in Gran Teatre del Liceu in Barcelona deserve special mention.
About Liederabende, since 1992 she has a duo with the pianist Vladislav Bronevetzky, carrying out a substantial performing activity that brought them to several countries, in festivals and concert cycles, including outstanding concert halls like Gran Teatre del Liceu (Barcelona), Rachmaninoff Hall (Moscow), Hamarikyu Asahi Hall (Tokyo) and many others.
Among her latest commitments, a new collaboration with Liceu in the production of Otello stands out, a theater to which she will return next season with the opera Pikovaya dama, to sing the role of the Housekeeper.
Website Mireia Pintó
Her extensive repertoire includes the genres of opera, oratorio and lied. She performs as soloist with several instrumental chamber ensembles and several orchestras, with well-known conductors as Maazel, Maag, Bonynge, Rilling, Goodwin, Ericson, Zedda, Malgoire, Dantone, Armiliato, Frizza, Benini, Haider, Mariotti, Decker, De Billy, Fujioka, Weigle, Traub, Anissimov, Noseda, Guidarini, Allemandi, Tolomelli, Kantorow, Pons, V. Pablo Pérez, Villaume and many others.
She takes part in several concert cycles, music festivals and opera performances in Italy, Russia, Holland, Germany, Greece, Andorra, France, Monaco, Japan, Czech Republic and Spain, including outstanding performances in the main concert halls and opera theatres.
In opera she performs Giulio Cesare (Sesto), La Cenerentola (Cenerentola), Il barbiere di Siviglia (Rosina), L'italiana in Algeri (Isabella), Il turco in Italia (Zaida), Il viaggio a Reims, Così fan tutte, II re pastore, Die Zauberflöte, La serva padrona, La sonnambula, I puritani, Norma, Sly by Wolf-Ferrari, Lucia di Lammermoor, Andrea Chénier, Carmen, Les contes d'Hoffmann (Nicklausse), Roméo et Juliette (Stéphano), Béatrice et Bénédict, Les Huguenots, Manon, L'enfant et les sortilèges, Eugene Oneguin, Otello, Parsifal, Die Walküre, Ariadne auf Naxos, Elektra, Salomé, Babel 46 by Montsalvatge, Kátia Kabanová, La vida breve by Falla and Iphigenia en Tracia by Nebra, among others.
In the same way, she sings as soloist the plays Weihnachts, Oratorium, Johannes Passion, Mass B minor and Cantatas by Bach; Juditha Triumphans, Gloria, Moteten, Cantatas and Magnificat by Vivaldi; Stabat Mater by Pergolesi; Stabat Mater by Boccherini; Cantatas and The Messiah by Händel; Kantaten by Telemann; Jugendmesse, Cäcilienmesse, Scena di Berenice and Arianna a Naxos by Haydn; Requiem, Coronation Mass and Concert arias by Mozart; 9th Symphony by Beethoven; Petite messe solennelle, Stabat Mater and Giovanna d'Arco by Rossini; Summernight's dream, 2nd Symphony and Die erste Walpurgisnacht by Mendelssohn; Requiem by Bruckner; Requiem by Verdi; Te Deum by Kodály; La démoiselle élue by Debussy; Les Noces by Stravinsky; Stabat Mater by Murani (World Première); Die junge Magd by Hindemith…
His recent appearances on Spanish stages include her interpretation of the role of Mochila in Iphigenia en Tracia by Nebra at Teatro de la Zarzuela; Bersi in Andrea Chénier at Peralada Festival, Bilbao, Oviedo and more recently, at Teatro de la Maestranza in Seville; and Emilia in Otello, again in Peralada and Oviedo, Las Palmas, Seville and Valladolid. Her participation in the production Roméo et Juliette and La Partenope de Vinci, both in Valladolid, and in Kátia Kabanová in Gran Teatre del Liceu in Barcelona deserve special mention.
About Liederabende, since 1992 she has a duo with the pianist Vladislav Bronevetzky, carrying out a substantial performing activity that brought them to several countries, in festivals and concert cycles, including outstanding concert halls like Gran Teatre del Liceu (Barcelona), Rachmaninoff Hall (Moscow), Hamarikyu Asahi Hall (Tokyo) and many others.
Among her latest commitments, a new collaboration with Liceu in the production of Otello stands out, a theater to which she will return next season with the opera Pikovaya dama, to sing the role of the Housekeeper.
Website Mireia Pintó