maria miró
soprano
Born in Barcelona, Maria Miró is a talented young lyric soprano with a beautiful and distinct voice. She studies at the prestigious Liceu Conservatoire of Barcelona and the Royal Northern College of Music of Manchester.
She attends masterclasses with Montserrat Caballé, Julius Drake, Laura Sarti, Jeanette Favaro-Reuter, Jaume Aragall, Cynthia Sanner, Ana Luisa Chova, Bonaldo Giaiotti, Dalton Baldwin, François Le Roux and Nicolas Krüger; and received advice from Elisabetta Fiorillo, Viorica Cortez, Mariella Devia and Esperanza Melguizo. Se is currently perfecting her technique skills with Deborah Polaski.
Operatic roles to date include: Adele (Il pirata) at Teatro Real (December 2019); Musetta (La Bohème) at Teatre Faràndula in Sabadell (May 2019); Wellgunde (Das Rheingold) at Teatro Real (January 2019); Laurencia in the World Première of the opera Fuenteovejuna at Teatro Campoamor in Oviedo (September 2018); Countess (Le nozze di Figaro) at Grand Opéra Avignon (October 2018); Penelope/Lady Rich (Gloriana) at Teatro Real (April 2018); Ines (Il Trovatore) at Gran Teatre del Liceu of Barcelona (July 2017); Clotilde (Norma) at Teatro Massimo of Palermo (February 2017); also Clotilde and Mariana (Das Liebesverbot), Teatro Real of Madrid (2016); Mimì (La Bohème), Celebrate Voice Festival of Salisbury (October 2015); Pisana (I due foscari), conducted by Massimo Zanetti, Liceu of Barcelona (May 2015); Coryphée (Alceste), conducted by Ivor Bolton, Teatro Real (February-March 2014); Esprit (Cendrillon by Massenet), conducted by Andrew Davis, Liceu of Barcelona (December 2013); Maia (L’Atlàntida by Falla), conducted by Josep Pons, Teatre del Liceu (November 2013); cover in rehearsals of Donna Anna (Don Giovanni), conducted by Alejo Pérez and directed by Dmitry Tcherniakov, at Real (March 2013); First Lady (Die Zauberflöte), conducted by Andrea Grant, and Wheel-of-Fortune Woman (A village Romeo and Juliet by Delius), conducted by Rory MacDonald, at the Wexford Festival Opera, Ireland (November 2012); Suor Genovieffa (Suor Angelica), conducted by Jeremy Carnall, at the Dorset Opera Festival (July 2012); Fiordiligi (Così fan tutte), conducted by Olaf Storbeck, at the Lyric Opera Studio of Weimar, Germany (September 2011); and Vanessa (Vanessa by Barber), conducted by Gareth Jones, at Opera Theatre of the RNCM, Manchester (March 2011), among others.
As a soloist, she performs throughout Spain and the United Kingdom. From 2006 to 2009, she is the soprano of the ensemble Com.Cat Trio, which broadcasted a repertoire of twentieth-century Catalan composers.
In 2019 she debuts at Teatro de la Zarzuela in Madrid in El barberillo de Lavapiés, a production she will repeat in Oviedo that same year, Seville and Valencia, and in 2022 in the revival at the Madrid coliseum.
She recently participates in the world premiere of the opera Tránsito, a production by Teatro Real and Teatro Español that has been carried out at Naves Español Matadero in Madrid, with great critical and public success, as well as in the new production of Die Zauberflöte in Oviedo's operatic season and again at the Teatro Real in Götterdämmerung.
Her latest performances include her debut at the Tenerife Opera singing once more the rol of Laurencia in Fuenteovejuna.
Miró will soon take on new challenges at Teatro Real and Palau de les Arts in Valencia.
Website Maria Miró
She attends masterclasses with Montserrat Caballé, Julius Drake, Laura Sarti, Jeanette Favaro-Reuter, Jaume Aragall, Cynthia Sanner, Ana Luisa Chova, Bonaldo Giaiotti, Dalton Baldwin, François Le Roux and Nicolas Krüger; and received advice from Elisabetta Fiorillo, Viorica Cortez, Mariella Devia and Esperanza Melguizo. Se is currently perfecting her technique skills with Deborah Polaski.
Operatic roles to date include: Adele (Il pirata) at Teatro Real (December 2019); Musetta (La Bohème) at Teatre Faràndula in Sabadell (May 2019); Wellgunde (Das Rheingold) at Teatro Real (January 2019); Laurencia in the World Première of the opera Fuenteovejuna at Teatro Campoamor in Oviedo (September 2018); Countess (Le nozze di Figaro) at Grand Opéra Avignon (October 2018); Penelope/Lady Rich (Gloriana) at Teatro Real (April 2018); Ines (Il Trovatore) at Gran Teatre del Liceu of Barcelona (July 2017); Clotilde (Norma) at Teatro Massimo of Palermo (February 2017); also Clotilde and Mariana (Das Liebesverbot), Teatro Real of Madrid (2016); Mimì (La Bohème), Celebrate Voice Festival of Salisbury (October 2015); Pisana (I due foscari), conducted by Massimo Zanetti, Liceu of Barcelona (May 2015); Coryphée (Alceste), conducted by Ivor Bolton, Teatro Real (February-March 2014); Esprit (Cendrillon by Massenet), conducted by Andrew Davis, Liceu of Barcelona (December 2013); Maia (L’Atlàntida by Falla), conducted by Josep Pons, Teatre del Liceu (November 2013); cover in rehearsals of Donna Anna (Don Giovanni), conducted by Alejo Pérez and directed by Dmitry Tcherniakov, at Real (March 2013); First Lady (Die Zauberflöte), conducted by Andrea Grant, and Wheel-of-Fortune Woman (A village Romeo and Juliet by Delius), conducted by Rory MacDonald, at the Wexford Festival Opera, Ireland (November 2012); Suor Genovieffa (Suor Angelica), conducted by Jeremy Carnall, at the Dorset Opera Festival (July 2012); Fiordiligi (Così fan tutte), conducted by Olaf Storbeck, at the Lyric Opera Studio of Weimar, Germany (September 2011); and Vanessa (Vanessa by Barber), conducted by Gareth Jones, at Opera Theatre of the RNCM, Manchester (March 2011), among others.
As a soloist, she performs throughout Spain and the United Kingdom. From 2006 to 2009, she is the soprano of the ensemble Com.Cat Trio, which broadcasted a repertoire of twentieth-century Catalan composers.
In 2019 she debuts at Teatro de la Zarzuela in Madrid in El barberillo de Lavapiés, a production she will repeat in Oviedo that same year, Seville and Valencia, and in 2022 in the revival at the Madrid coliseum.
She recently participates in the world premiere of the opera Tránsito, a production by Teatro Real and Teatro Español that has been carried out at Naves Español Matadero in Madrid, with great critical and public success, as well as in the new production of Die Zauberflöte in Oviedo's operatic season and again at the Teatro Real in Götterdämmerung.
Her latest performances include her debut at the Tenerife Opera singing once more the rol of Laurencia in Fuenteovejuna.
Miró will soon take on new challenges at Teatro Real and Palau de les Arts in Valencia.
Website Maria Miró
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