juan carlos esteve
bass-baritone
Born in Barcelona, Juan Carlos Esteve began his vocal studies under the guidance of teachers such as Concepción Espinosa, Jordi Homs and Carlos Chausson, among others, and went on to refine his training through masterclasses with renowned teachers such as Eduard Giménez, Carmen Bustamante, Dalmau González, Natalia Gavrilan and Jaume Aragall. He is currently studying vocal technique with Josep Maria Prat.
After his early experience with the choruses of the Òpera de Sabadell and the Gran Teatre del Liceu, and as a multiple prize-winner at the Mirna Lacambra Singing Competition, he embarked on a fruitful collaboration with the Òpera de Sabadell, which enabled him to debut in the principal roles suited to his vocal range.
To cite just a few of examples, his operatic repertoire includes titles such as Il barbiere di Siviglia (Don Basilio), Don Giovanni (Leporello and Masetto), Die Zauberflöte (Sarastro), Don Pasquale (Don Pasquale), L’elisir d’amore (Dulcamara), Roméo et Juliette (Frère Laurent and Le Duc), La Bohème (Colline and Benoît), Carmen (Zúñiga and Escamillo), and La Traviata (Doctor Grenvil), among others. He has performed these roles predominantly with Òpera a Catalunya in Sabadell, but also on stages such as the Palau de la Música in Barcelona, the Teatro de la Maestranza in Seville, and during the Bilbao Opera season.
He has also appeared in a wide range of zarzuela productions, including El huésped del sevillano (Don Diego), La tabernera del puerto (Simpson), La Revoltosa (Felipe) and La verbena de la Paloma (Julián), to name but a few.
In these productions, he has collaborated with distinguished conductors such as Miquel Ortega, Óliver Díaz, Daniel Gil de Tejada, Rubén Gimeno, Elio Orciuolo, Andrés Salado, Santiago Serrate, Xavier Puig, and Sergi Roca, among others, as well as stage directors including Joan Font, Emilio López, Rita Cosentino, Pau Monterde, Miquel Gorriz, Carles Ortiz, and Montse Colomé.
After his early experience with the choruses of the Òpera de Sabadell and the Gran Teatre del Liceu, and as a multiple prize-winner at the Mirna Lacambra Singing Competition, he embarked on a fruitful collaboration with the Òpera de Sabadell, which enabled him to debut in the principal roles suited to his vocal range.
To cite just a few of examples, his operatic repertoire includes titles such as Il barbiere di Siviglia (Don Basilio), Don Giovanni (Leporello and Masetto), Die Zauberflöte (Sarastro), Don Pasquale (Don Pasquale), L’elisir d’amore (Dulcamara), Roméo et Juliette (Frère Laurent and Le Duc), La Bohème (Colline and Benoît), Carmen (Zúñiga and Escamillo), and La Traviata (Doctor Grenvil), among others. He has performed these roles predominantly with Òpera a Catalunya in Sabadell, but also on stages such as the Palau de la Música in Barcelona, the Teatro de la Maestranza in Seville, and during the Bilbao Opera season.
He has also appeared in a wide range of zarzuela productions, including El huésped del sevillano (Don Diego), La tabernera del puerto (Simpson), La Revoltosa (Felipe) and La verbena de la Paloma (Julián), to name but a few.
In these productions, he has collaborated with distinguished conductors such as Miquel Ortega, Óliver Díaz, Daniel Gil de Tejada, Rubén Gimeno, Elio Orciuolo, Andrés Salado, Santiago Serrate, Xavier Puig, and Sergi Roca, among others, as well as stage directors including Joan Font, Emilio López, Rita Cosentino, Pau Monterde, Miquel Gorriz, Carles Ortiz, and Montse Colomé.
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